A Doll's House by Henrik Ibsen fell like a bomb into contemporary life because it challenged the traditional gender roles and social norms of the Victorian era. It portrayed a woman who defied her husband's authority and left him to seek her own identity and freedom.
A Doll's House is a realistic drama written by the Norwegian playwright Henrik Johan Ibsen in 1879. His plays attacked the age-worn values of a male-dominated society. He discarded outmoded dramatic techniques such as soliloquies and monologues. The theme of the play A Doll's House is individual freedom and emancipation of self. The protagonist of the play Nora is the wife of Torvald Helmer and they have been married for eight years. They have three children. A Doll's House is a problem play because Ibsen deals with a social problem: the status of a woman in relation to her husband and home. Ibsen shows the pathetic situation of Nora being treated by her husband as a mere child who knows nothing and is called the squirrel, the skylark, and a doll.
The play begins with Nora telling innocent lies in a childlike manner. Helmer treats her like an irresponsible being – like a child, a bird (skylark), a squirrel, a possession, anything except as a woman. From his speech, it becomes clear that she is nothing but a plaything (a doll) for him. But underneath the surface of Nora's mind, there is lurking a strong protest against male domination with its laws, religion, and social customs, all trying to crush the individuality, freedom, and dignity of women. Her father and later, her husband have with the help of these male-dominated social laws tried to keep Nora ignorant of the "true realities of life", of her reasonable rights, of her obligations. From the First Act onwards, the gradual growth of Nora is seen and it reaches its climax in the Third Act when she goes out of Helmer's home slamming the door against the male-dominated ideas, laws, and social customs.
Nora's father committed forgery while working as a government employee. Torvald Helmer was appointed to examine the documents of Nora's father. It was during this verification of the documents that Torvald met Nora, fell in love with her, and married her. Nora made supreme sacrifice in order to save the precious life of her husband. She borrowed money from Krogstad, an unscrupulous man for a trip to Italy for the medical treatment of her husband. Helmer was seriously ill and her father too had been on his deathbed. Not desiring to trouble her father at such a time for a loan and knowing fully well that Helmer would never agree to take a loan himself, Nora secretly borrows the loan without Helmer's consent. Nora signs her father's name on the back of the promissory note (bond) given by Krogstad. Whenever Torvald has given money to Nora for new dresses and such things for home needs, Nora never spends more than half of it and bought the simplest and the cheapest things. Thus Nora made great sacrifices for her husband and family.
However, Krogstad's letter also reveals Nora's secret to Helmer, who reacts with anger and contempt. He accuses Nora of being a liar, a cheat, and an unfit mother. He tells her that she has ruined his reputation and his happiness. He says: "You have destroyed all my happiness. You have ruined all my future" (Act III). He also says: "You are not fit to bring up the children" (Act III). Nora is shocked and disillusioned by Helmer's response. She realizes that he does not love her as a person, but only as a doll that he can control and manipulate. She says: "I have been greatly wronged, Torvald—first by papa and then by you" (Act III). She also says: "I must stand quite alone, if I am to understand myself and everything about me" (Act III).
In contrast, another letter from Krogstad brings relief to Helmer. He learns that Krogstad has decided to withdraw his threat and return the forged bond. He is overjoyed and forgives Nora. He tells her that he loves her and that everything will be as before. He says: "I am saved, Nora, I am saved!" (Act III). He also says: "You are my little skylark just as before" (Act III). However, Nora is not moved by his words. She tells him that she expected him to do something wonderful for her sake. She hoped that he would take the blame for the forgery and protect her from Krogstad's blackmail. She says: "I had hoped that you would say to me: 'I am a man before anything else; I will take upon myself the whole blame'" (Act III). But he did not do that. He only cared about himself and his reputation. He did not respect her as an equal partner. He did not understand her motives or her feelings.
Therefore, Nora decides to leave Helmer and their children. She tells him that she needs to find herself and her freedom. She says: "I must try to educate myself—you are not the man to help me in that. I must do that for myself" (Act III). She also says: "I believe that before all else I am a reasonable human being, just as you are—or, at all events, that I must try and become one" (Act III). She slams the door behind her, symbolizing her rejection of the patriarchal society and its norms.
In conclusion, A Doll's House by Henrik Ibsen fell like a bomb into contemporary life because it challenged the traditional gender roles and social norms of the Victorian era. It portrayed a woman who defied her husband's authority and left him to seek her own identity and freedom. The play sparked a debate about the status and rights of women in society. It also inspired many women to question their own roles and expectations in their marriages and families. The play was a revolutionary work of art that changed the course of modern drama and social history.
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